Two rows up and his daddy Jack Bauer, Kiefer Sutherland. Although 24 everything is in place and it works perfectly, of course without the character of the series Bauer would not be standing. It is the anti-hero par excellence, does all the dirty work and sacrifice for the greater good always. I advise everybody to discover the great merit of Kiefer Sutherland's in staging this great hero, comparing his work on Bauer with other characters from television shows and his film work.
First of all, unlike many other series, where you know that the characters could be interpreted by many different actors - as in the case of Paul, the protagonist of In Treatment - Jack Bauer matches perfectly with Kiefer Sutherland. Gabriel Byrne is a perfect and great Paul, but you know that part in her place there could be many other equally suitable. And that's fine. But the difference between a character that runs the Paul In Treatment and that of Bauer 24 is the one that exists between an admirable job and create indelible pop icon from the imaginary collective.
Kiefer Sutherland manages to give Bauer everything he needs to concentrate on being a characteristic of so bizarre as to be irreplaceable and really only suitable for very few people. If you notice it's filmography Kiefer Sutherland is quite limited. But when he hit a person leaves a mark and in the case of Bauer has found the character of his life. We can say we are faced with a symbiosis actor / character so complete as rare. It was not a hair between how the character was on paper and how it is materialized on the small screen. In my opinion this is true only in very few cases, like that of Tony Soprano James Gandolfini and Kyle MacLachlan as Agent Cooper on Twin Peaks . No coincidence that we speak of the creme de la creme of the television drama serial. It just happens are always people who tell completely the complexity of a historical period .
individualism and enlightened zen Dale Cooper makes his way there in the first phase of America's loss of innocence '50s, dreamy, radiant and disbelief of the evil that creeps into his house, Tony Soprano takes us in the long inexorable downward trend in Western society over the last ten years, Jack Bauer is the impossibility of a hero Kalòs kai agatòs , beauty and goodness, in a time when there has been a bit of compassion and in which evil creeps everywhere and manifests itself in more extreme forms, those of asymmetric warfare and the dehumanization of the conflict. Jack has to sacrifice in spite of his own soul to pursue justice always most compromised by corruption and perdition.
As Charon takes us even deeper into the abyss they guide us through the shadows of our most terrifying times.
In this regard, I advise the vision of two beautiful film starring Kiefer Sutherland one of his best form, demonstrating that in no way inferior to that of his father Donald wizards: Mirrors ( Mirrors , 2008) Alxender of Hague and the film that has inspired in part as a film project, the equally memorable and enveloping Flatliners ( Flatliners , 1990) of a Joel Schumacher still in its golden age. To form the "triello" of the film there are Kevin Bacon and Julia Roberts, greenhorn anthology.
are two films not for all tastes - the first is a horribly scary horror though very "calmed" by the element and dirty action, the second is a psychological thriller visionary early 90s several years out of my mind - but certainly two great genre films.
First of all, unlike many other series, where you know that the characters could be interpreted by many different actors - as in the case of Paul, the protagonist of In Treatment - Jack Bauer matches perfectly with Kiefer Sutherland. Gabriel Byrne is a perfect and great Paul, but you know that part in her place there could be many other equally suitable. And that's fine. But the difference between a character that runs the Paul In Treatment and that of Bauer 24 is the one that exists between an admirable job and create indelible pop icon from the imaginary collective.
Kiefer Sutherland manages to give Bauer everything he needs to concentrate on being a characteristic of so bizarre as to be irreplaceable and really only suitable for very few people. If you notice it's filmography Kiefer Sutherland is quite limited. But when he hit a person leaves a mark and in the case of Bauer has found the character of his life. We can say we are faced with a symbiosis actor / character so complete as rare. It was not a hair between how the character was on paper and how it is materialized on the small screen. In my opinion this is true only in very few cases, like that of Tony Soprano James Gandolfini and Kyle MacLachlan as Agent Cooper on Twin Peaks . No coincidence that we speak of the creme de la creme of the television drama serial. It just happens are always people who tell completely the complexity of a historical period .
individualism and enlightened zen Dale Cooper makes his way there in the first phase of America's loss of innocence '50s, dreamy, radiant and disbelief of the evil that creeps into his house, Tony Soprano takes us in the long inexorable downward trend in Western society over the last ten years, Jack Bauer is the impossibility of a hero Kalòs kai agatòs , beauty and goodness, in a time when there has been a bit of compassion and in which evil creeps everywhere and manifests itself in more extreme forms, those of asymmetric warfare and the dehumanization of the conflict. Jack has to sacrifice in spite of his own soul to pursue justice always most compromised by corruption and perdition.
As Charon takes us even deeper into the abyss they guide us through the shadows of our most terrifying times.
In this regard, I advise the vision of two beautiful film starring Kiefer Sutherland one of his best form, demonstrating that in no way inferior to that of his father Donald wizards: Mirrors ( Mirrors , 2008) Alxender of Hague and the film that has inspired in part as a film project, the equally memorable and enveloping Flatliners ( Flatliners , 1990) of a Joel Schumacher still in its golden age. To form the "triello" of the film there are Kevin Bacon and Julia Roberts, greenhorn anthology. are two films not for all tastes - the first is a horribly scary horror though very "calmed" by the element and dirty action, the second is a psychological thriller visionary early 90s several years out of my mind - but certainly two great genre films.
